“Close ups reveal the weaknesses of the whole premise.” (1)
I didn’t write any update for my entrepreneurial pursuits last Wednesday. I was just not in a good place mentally speaking to do so. I’m an ambivert, so I’ve been relying a lot on my more introverted tendencies throughout this weird time. Staying in, making art and basically nesting, has been totally okay with me until last week. The staying in and maintaining social distance is beginning to wear a bit thin for me. My husband is far more introverted than I am, and is also is a person who is in a higher risk category related with COVID-19 infection. This means that even as the restrictions are eased a bit here, we’re still social distancing and continuing with other precautions.
I don’t mean to say that I’m climbing the walls or anything. I’m just beginning to get tired of it. I know myself well enough that I need to acknowledge my feelings so they don’t get so large and cumbersome that I find myself becoming overwhelmed by them. I know myself well enough that figuring out my feelings takes me some time, and I need to let them percolate through my mind so that I feel as though I understand them, myself and how I’m reacting to them.
Making art is my therapy. Making art is my passion. Teaching people how to make art is my vocation. Selling my artwork is (sometimes) my Waterloo, or perhaps my windmill? It could be many things.
If only I could pay my bills in personal fulfillment. My life would be damned near perfect!
I’ve been working on some new pieces and have begun some planning for some larger and more complicated pieces. My artwork to a great extent, guides and informs itself. I’m basically the one with the thumbs that brings the art into existence. I’ve had some things (ideas, thoughts, concepts, techniques, materials, etc.) swimming around inside my head for quite a while that I feel are ready to be created.
This is one of the hardest things to try and explain to a person who does not make art of their own. Differentiating between when it’s time to create a piece of art and when it’s not. There are some pieces, like the series of small dolls that I’ve been working on for the past few months, in which I can have an idea, sit down and complete the piece in relatively short order. I can see the results of the idea fairly quickly, then move on to the next idea. I can process through a lot of smaller ideas and acquire a lot of creative, emotional and mental satisfaction in doing so. I suppose I could liken my creative processes in this regard to hors d’overs and a main course. One is a lead-up to the next.
The part that can be the most baffling is knowing when is “when”. I cannot pinpoint when an idea or concept is ready to be created. I just know when it’s ready. There seems to be a point in which my brain or my sketchbook just isn’t a satisfying place to work on them anymore. There’s this weird tight-rope walking element to the whole process as well. If I start working on a piece too soon, the entire experience is somehow less satisfying mentally and emotionally for me. The art was not ready to come into existence. On the flip side, I run the risk of losing the entire idea or concept if I begin it too late. The finished piece of art lacks some je ne sais quoi that renders it a failure in my mind.
I’m struggling to discover how to make this sense of knowing work for me as an entrepreneur attempting to sell her artwork. My sense of knowing when to do something, when it’s right for me, should be a transferable skill. This ‘instinct’ for knowing when a my artwork is ready to be created is ephemerally ill-defined. Just because it works well in one capacity does not guarantee that it will work in another, wholly different capacity.
I suppose that when I say instinct, I may be referring efficacy in part. However, I don’t believe that they are the same thing. I see them as related, or perhaps working in concert (or at odds) in different circumstances. Instinct is different from acquired knowledge. Instinct can be based partially on acquired knowledge, but it’s more primal than that. Instinct is a gut-feeling. That little tug on your thoughts that says, ‘Wait a second.‘ This tiny amount of time can be invaluable in decision making processes. It can aid in building positive experiences that are an integral part of personal and professional efficacy. Acquired knowledge is everything learned in structured settings (schools, churches, clubs, etc.) and unstructured settings (family, friends, society, culture, chronosystem, etc.). Every event in my life has added to my acquired knowledge, making me a unique individual.
None of the above will get me a seat on the bus unless I learn how to use it to my personal, and yes, monetary benefit. Otherwise, I will simply be the most self-aware person walking her ass home in the rain.
I hate having to go out in the rain.
Thanks for reading, and I’ll see you again next Monday.
(1) Episode 912. “The Screaming Skull.” Mystery Science Theater 3000. Film Short, “Robot Rumpus.” 29 Aug. 1998
(This dialogue is Mike Nelson, during the film short. This short never ceases to make me laugh until I have a stitch in my side. I love MST3K, but some of the comedic writing for the film shorts is some of the best writing from the entire series in my opinion.)
Yes. “I’ve Seen All Good People.” (“Your Move” and “All Good People”), The Yes Album, 1971.
Jethro Tull. “Skating Away on the Thin Ice of a New Day.” War Child, 1974.
Natascha Rosenberg. She’s an artist and illustrator whose website I stumbled upon while looking for something else entirely. Her work is tremendously cool. Go and look at it! If you don’t like my work enough to buy it, buy hers!