Exhibiting my artwork:
2021 is going to be a busy year for me.
Not long after I had announced that I would be taking a short break from blogging, something unexpected happened. I was contacted by the Suomen Käsityön Museo regarding my artwork. More specifically, I was asked if I would like to exhibit my artwork in a window gallery that the museum has.
It took me a few minutes to mentally digest the invitation offered to me by the museum. Part of me thought that perhaps I was reading it incorrectly. Another part of me thought that I was sent the invitation by mistake. But it was a real, sincere invitation to exhibit my artwork! Cool!
So, long story somewhat longer, I will be exhibiting my artwork in the window gallery of the Suomen Käsityön Museo in Jyväskylä during December 2021 until February 2022. I know that it seems like a long time off in the future. But from where I see it, it’s right around the corner!
Part of what I think is incredibly cool about the Suomen Käsityön Museo exhibit, is that it is at the end of 2021. I am exhibiting my artwork at Matara in January 2021. My year begins and ends with me exhibiting my artwork! Honestly, part of me is a little scared by both of these exhibits. It’s kind of a ‘put-up or shut-up’ set of circumstances for me as a working artist.
Communicating my ideas:
I have been working steadily over the past few months on the new pieces of artwork that I will be exhibiting at Matara in January. What I’ve discovered that creating a cohesive body of artwork is a much different experience than creating a single, stand-alone piece of artwork.
The Creative Experiment was one in which I worked on one piece until it was finished. Once finished, I started another. No piece of artwork was left unfinished. And no new piece of artwork was started until the previous one had been completely finished. This experiment had many different goals. But focusing on one piece of artwork at a time became increasingly important as the experiment progressed.
A different point of view:
When I sat down and started planning the pieces that I wanted to create for the Matara exhibit, I couldn’t just think about one piece of artwork at a time. A theme needed to be chosen and woven through all of the artwork that was to be created. The theme could vary in the degree to which it applied to each individual piece of art. But it needed to be present.
There was also the interesting creative challenge of creating new pieces of artwork that would be displayed on a vertical surface to consider. How would the themes I had chosen to with translate well in a vertical format? Would the themes be apparent to the viewer?
A big question for me was; what if the themes began to change as I worked on the individual pieces of art? This is an extremely frequent occurrence for me while I’m creating my artwork. Could the changes of theme in individual pieces of art alter the entire exhibit?
To make sure that I wasn’t overwhelming myself with the endless possibilities of ‘what if’ questions, I needed to give myself a mental structure to adhere to. Something that wasn’t too confining. That could change according to my individual creative mental requirements.
A book format seemed logical to me. The exhibit is a story. The theme is the subject of the exhibit. Each piece of artwork is a chapter in the story. Additional themes and ideas can be woven in to each individual piece of artwork. A beginning and end of the exhibition are required as well. Even if that ‘ending’ requires a sequel.
Once I had decided on the book metaphor, I just needed to adjust where I wanted to put pieces of artwork in the exhibit. There’s also been some tweaking to each piece of artwork here and there. This was done to make sure that my artwork was accurately telling the story I needed it to tell.
Nothing is set in stone:
The aforementioned mental (and creative) organizational methodology may seem a little rigid. But I don’t see it that way. Changes in how I work creatively are always, always, always on the table for me. Nothing is ever set or carved in stone for me!
There are parts of my personality that are super-flexible and this helps me to evaluate what working methods are beneficial, and which ones that aren’t. If the book metaphor ceases to give me the creative results and mental security that I need, then I’ll change it.
So, now what?
I will continue working on the pieces that I will be exhibiting at Matara in January 2021. As well as formulating new ideas and exploring new themes, materials and techniques for pieces that I will exhibit in December 2021-February 2022. Along the way, I will continue creating Go Marielle stories and posts. And creating and adding new items for sale in my online shop. And then there are the weekly blog posts…and Patreon that I want to get started.
Yeah. I have plenty to keep me busy.
Thank you for reading, and I’ll see you again next Monday,