Marketing my artwork has never been a strength of mine. I think that there are two reasons for that. The first among them being, in order to market my artwork, I need to call attention to myself. This would mean that people would actually look at me. Putting myself in this sort of position goes against the grain mentally and emotionally speaking. Secondly, asking for attention from people then means that I would have to talk about my artwork to people that I don’t know.
Both of the aforementioned reasons make marketing my artwork difficult for me. I’m either painfully slow at it, or I just don’t do it out of insane amounts of personal (and professional) fear. For my business to become more successful, I need to figure this out. I’m not as bad as I once was, but I’m not where I want or need to be at all.
“Knowing where the trap is — that’s the first step in evading it.” Thanks Duke Leto Atreides. That’s really great advice. And quite handy to keep in mind. However, it’s a lot easier said than actually done. Especially when it comes to mental or emotional traps.
That being said, I know the roots of my personal and professional feelings of inadequacy. I’m the poster child for imposter syndrome. Part of the reason that I know where all those mental traps are is precisely because I do spend so much time examining them, through creating my artwork. So I know who I am. I know my traps (or buttons, if you like). And the very artwork that I want to market is the product of this hard-won knowledge.
All of this makes me sound like an absolute mess, doesn’t it?! Actually, it’s not as bad as one might think. Knowing myself does have a mitigating effect on my fears regarding the marketing of my artwork.
Exhibiting my artwork:
I have been so fortunate in having two venues offer me the opportunity to exhibit my artwork during the past year. I’ve been looking online for additional places in which I might be able to exhibit my work. Exhibits are a good marketing tool for me. It allows me to show my artwork to a greater number of people who may not already be aware of me or my artwork.
Yesterday evening, I sat down to look online for exhibit opportunities. The pandemic has put a bit of a damper on art shows and fairs. I did find a few that seemed interesting. But I was disappointed to discover that many that I was interested in, or felt that my artwork would be a good fit, had restrictions on materials. Paper mâché and plaster works were not accepted. Crud. I did manage to find two that my artwork is still eligible for.
Cost of exhibiting:
Those who are not full or part time practicing artists, artisans or crafts people, might not know that entering artwork into juried art shows can be an expensive proposition. One of the art show applications I downloaded has a very reasonable 20€ application fee. I can afford that. One of the other shows that I had to rule out, had a 250€ application fee. These fees are just to get your artwork looked at, to see if it MIGHT be in the show.
If you’re work is selected, then you have to get the artwork to the venue. This can also be incredibly costly, especially for three-dimensional artwork like mine. One of the art shows that I had to rule out mandated a specific type of parcel shipment, with return shipping already paid for. They also wanted a certain amount of insurance added to the parcel shipment. And charged a fee for pedestal rental and set-up and take-down fees. For me to apply for entry, ship (to and from), rent a pedestal, pay for the set-up and take-down fee would have cost me around 2000€.
And there was no guarantee that the artwork would itself sell. Or that merely exhibiting my artwork at this venue would result in sales of my other pieces of art.
And then…depression set in:
I’m not an idiot. I know that art shows charge money for exhibiting specific art shows, or works by a specific artist. The venue has to be able to make some money too. After all, there is no guarantee that the artwork being shown will actually sell enough so that the venue will get a sizable enough cut to may the rent on the space, or keep the lights on, or heck, even pay their staff!
It’s just a depressing fact. I can’t change how exhibiting art works. All that this means is that at the present, I cannot go about showing my artwork and marketing myself and work in an already well established manner. This doesn’t mean that I won’t still be trying to avoid my own mental and emotional traps either.
It’s a trap:
My husband and I were talking about creating our own means of employment a few days ago. Neither one of us wants to return to working for someone else. We’ve both grown accustomed to having creative autonomy over our means earning monetary compensation. This kind of autonomy is equal parts fantastic and terrifying at the same time for me.
What struck me about the conversation I was having with my husband was that there are people who would prefer to be employed by something or someone other than themselves. I totally and completely understand that. Knowing that you have a place to be, a job to perform, and a guaranteed paycheck is a great comfort. Your basic needs are covered. There is comfort in that. A lot of comfort.
But…there is also the problems that arise when the pay isn’t enough to cover those basic needs. And then there are people who you know aren’t as smart as they think they are trying to tell you how to do your job. When they have never performed your specific job. Ever. There is the monotony of doing the same thing over and over again. Day in and day out. The trade off is that you have a place to be, a thing to do, and a steady paycheck. After a while, at least for me, the trade-offs are not enough.
“I know what I’m about, son.” Well said, Ron. Knowing who I am is a step in the right direction regarding my future marketing adventures. For now, there are well-worn paths like the expensive juried art shows, that are simply not an option for me. I need more affordable options. Free would be a good price to start. This means that I have to cut my own pathways. Hence the title of this section.
Since last night, I’ve been turning over some ideas in my mind as to how I find potential free to low-cost venues to exhibit my artwork. One of them is incredibly easy. Ask people. Yeah. I know. This seems like a total no-brainer, doesn’t it?! But remember, I have a network traps that I have to get around before I can arrive at a potential solution to some of my marketing woes. Asking people doesn’t mean I’m going to get any kind of useful information either.*
So, now what:
Well, I have some emails to write. There is not guarantee that any of my inquires will result in any kind of low to no-cost exhibit or gallery spaces being located. Asking for help is sometimes a difficult thing for me to do. I don’t want to appear to be desperate. Because we all know, that is not a good look on anyone! There’s also a part of me thinks that at my age, I should already have all of this stuff figured out. I should know what I’m doing…more than half of the time.
Thank you for reading, and I’ll see you again next Tuesday.
*This clip is from the movie Gone with the Wind. The movie is paints an incredibly favourable view of the enslavement of black people within the US before and after the United States Civil War 1861-1865. I assure you, it was an abhorrent, despicable institution that remains a deep scar in the American consciousness. The movie was made in the late 1930’s and one several Academy Awards. Most notably Hattie McDaniel one a best supporting actress award for the role of Mammy. The role of Pork was played by Oscar Polk, whose acting career was cut much too short in 1949. It’s Oscar Polk that is shown in the ‘Askin’ ain’t gettin'” gif.