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Working Tiny

Over the past few weeks, I’ve been working on tiny dolls. The Tic, Tac, Toe dolls (10 dolls) were completed. Then I began creating some tinier dolls (3.5 cm). And then some even tinier dolls (2.9 to 3.3 cm). At some point in the future, I will create even tinier dolls (2.5 cm? 2.2 cm?).

It could appear to some people that I have a compulsion of sorts. Scratch at an artist or other creative makers and you’ll find something similar. Calling it a compulsion sounds a bit uncontrollable. Admittedly, there have been times that even I feel an uncontrollable need to create. But it’s more complicated than that.

So, for people looking at my artwork, and for myself. I’ll outline my creative rationale for the teenie-tiny doll army I seem to be creating.

Where do they come from?

My fascination with tiny dolls started very young. Liddle Kiddles and Flatsie dolls in particular. There was a line of Liddle Kiddle Dolls called Jewelry Kiddles. For the Jewelry Kiddles, you got a teeny-tiny doll that was housed inside a little locket like container. This was attached to a necklace, pin, ring or bracelet.

Some of my earliest memories of are of these dolls. I was so young when they were sold, that I have a feeling that they may have been hand-me-down toys from my older sister. She never seemed to really be into dolls as a kid. So this scenario is a likely one. Well..I also had a rather nasty habit of simply claiming things I wanted as a toddler. So I suppose I could have simply pinched them from her as well.

These dolls absolutely fascinated me. They were just so absolutely tiny! They seemed so incredibly precious to me too. It very well could be that my twin loves of dolls and miniatures was born through them.

Not a recreation:

As you might suspect, teeny-tiny dolls in the hands of a three to six year old child have a way of getting lost. Only two or three of my Liddle Kiddle and Flatsy dolls are around today. Their clothing long lost. And their hair a total mess.

As a visual artist, I have no interest in re-creating those dolls. You won’t see me making moulds of their faces. Or painting them on canvas nine meters tall. It doesn’t interest me creatively to simply make another Shirley Strawberry or Cleo Cola. What those dolls do is inspire me to create my own tiny dolls.

The teeny-tiny dolls I’ve created recently are the dolls that I so achingly wanted to make when I was a little five year old girl and lost my last Jewelry Kiddle doll. I’m soothing that part of me that knows that I’ll never see or hold that tiny little precious confidant doll that I would talk to and share all my little kid problems with every again.

Entrepreneurial POV:

After all of the personal (emotional) intrinsic motivation is laid-out. From the standpoint of a small business, my main objective is to sell my artwork to obtain money so that I can pay my bills. It’s a pretty simple equation. As an art-creating small business entrepreneur, I’m not marketing a labor-saving device, a tasty new food product, or even a novel new service.

What an artist offers is an object that is purely ornamental. Even superfluous. And while there are customers who do purchase my dolls simply because they find them attractive and want to have them. There are other potential customers that see the purchase of a doll as not making sense. This may also have something to do with thinking of a doll as a toy as well.

The potential customer may like my artwork, but feel it has no place within their lives. Creating an object that serves a specific purpose, like a brooch or pin (to start with) may entice potential customers to purchase a piece for themselves, or for someone they know. This might also result in additional referrals from people who do not purchase my work, to people they feel may wish to purchase my work

Resistance:

It’s been about a year now that I’ve been pushing around an idea in my mind. Creating some kind of pins, or brooches that have my small and tiny dolls as a major component. The major reason for my resistance is that the concept removes the component of play from the doll itself. It becomes an accessory.

I was gifted a doll pin when I was little. It was so disappointing that I couldn’t actually play with the doll. It wasn’t a doll anymore. My frustration pushed me to remove the pin back. In fact, I had to destroy the pin back in removing it. But the doll was free. That was all that mattered to me.

The appeal of the Jewelry Kiddles for me was that the doll was removable. The doll could also be returned to it’s little protective plastic see-through locket for safe keeping as well. There was something kind of magical about that for me as a little kid. As an adult artist, I wondered if I could create something similar.

Is this giving in?

Creating tiny dolls, actually teenie-tiny dolls that are specifically for pins or brooches — I think what I have in mind is more along the brooch type of description — is that ‘giving in’ to the market? There isn’t a hard and fast, yes or no type of answer to this question. Perhaps it’s simply better to say that my views have evolved.

If you’ve been following me for a while now, you will have seen some of the artwork that I created for the Matara Käytävä Galleria. This exhibit space pushed me as an artist to create artwork that could be displayed vertically, instead of in the round. I began to experiment with how to integrate my dolls into frames and shadow-boxes. The whole experience opened up many creatively interesting ideas for me to explore.

I realized that part of my fascination with placing my dolls behind glass (or plastic as it were) stirred-up all kinds of different emotional responses within me. Some of which could be traced back to those Jewelry Kiddles dolls. To be honest, I was disturbing myself with my own art. And I don’t necessarily think that’s a bad thing.

Now what?

Well, for starters, I’ve begun the brooches themselves. As with all my artwork, they seem to be equal parts planned and highly experimental. The brooches are being made from recycled materials and will be paper mâché. Pictures are of the various stages of my progress are posted daily on my Instagram.

Thank you for reading, and I’ll see you again next Friday.

 

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Peddling My Wares

Almost all of the plans that I had created for the upcoming year in my entrepreneurial plan have gone sideways. I don’t feel as though I should be whinging and whining about the fact that teaching must be put on hold for me. It’s not as though my art lessons will go moldy while waiting for a date in the future in which I can have at least ten people in a room who can be closer than two meters apart. They’ll keep.

I have two other ways at my disposal to further grow my business: my artwork and patterns.

Presently, physical product, my artwork, is what I have been advertising for sale. I have many pieces up for sale on this website. I am selling some work here and there, but not at any type of consistent rate. Every sale is celebrated, but I would really like to have some consistency regarding the amount of artwork that I sell. The infrequent sales could be due to many different things that are out of my control. The current situation in the world regarding COVID-19. Potential customers being wary of spending money on something that isn’t a necessity. The fact that I live in Finland and shipping outside the EU can be a little lengthy and expensive. There’s always the possibility that there aren’t a lot of people who like my work, but that’s a different more wibbly-wobbly-emotional-artist-thing for another time and another post entirely.

I’ve talked previously about why at this point I’m not having a sale on my work. This decision isn’t carved in stone and at some time in the future may be up for change.

I have also looked into adding onto my website, creating a store front with a check-out and more typical online store presence. At this point, I’m just not selling enough art to do that. I cannot afford it the upgrade. This leaves me with the selling of patterns.

I’ve never been abject to selling patterns. I suppose what I worry about most is that there are people out in the world who will use a pattern that is not of their own design to create work and then sell it as their own creation. That does bother me. Which then brings me to another challenge; do I make patterns for work that I have already created (20 cm and 10 cm cloth dolls; 6 cm Little Lady dolls; tiny animal dolls?) or do I design a completely new and different doll specifically geared toward pattern sales?

I do have some patterns ‘in the can’ so to speak. These are patterns that I can easily offer for download. My hesitance is offering them for sale again is due more to the abject feeling of failure I felt when these patterns did not sell well when they were first created. What were those reasons? Was I attempting to market these patterns at the wrong time? Was I simply in the wrong place? Were the patterns just really horrible and bad and that’s why no one wanted to buy them?

As an artist and as a budding entrepreneur, there are many things I like about being both. The feeling of control that I have regarding what I make, how I make it and when I make it being first and foremost. When I do sell work, I know that I have worked hard for what I have earned. It even makes the small amount that I earn from my artwork feel immensely gratifying. As I have detailed above, there are always things that are out of my control. These situations require flexibility and the ability to change course quickly. It’s interesting that these qualities are also ones that I utilized a great deal as an art teacher in the public schools!

I feel as though I’ve been trying to talk myself into selling patterns here on my website throughout this entire post! To be honest, I suppose that is in small part, true. I have a few ideas in the fire and I think I need to finally make some decisions and move forward with them.

(Inhales deeply through the nose)

Okay. Let’s get this pattern thing going.

 

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Sunday 29 March

I decided to try my had at making an elephant today. I like everything except for the ears. The size and shape are a little too Topo Gigio for my liking. I changed a few things around, including making the torso and limps thicker. I also made the arms and legs flat on one end to look a bit more elephant-ish. The trunk has a wire and can be posed. At present, she’s standing on my pin cushion holding a rose in her trunk. She needs a little tail and I think I will call her finished!