Category Archives: Handmade Doll

Dispatch from the Desktop

I’ve spent the past few days experimenting with the most recent tiny doll pattern I’ve created. It’s the same one that I used to create bunnies, bears and ducks. One of the great things about being a visual artist is that I can go from idea to physical object in a relatively short span of time. Revisions and streamlining of the art production process can sometimes take a bit longer. Sometimes, I have to simply put a piece aside so I can think about the problem for a while, and that takes time. At present, I’m still not sure about Stanley’s top hat. It’s merely pinned to the top of his head, instead of being permanently attached. This is because I want to be completely sure about something before committing to it totally. Nothing sucks quite as much as not listening to your creative gut instincts, rushing through a decision, and then having to come up with a way to fix the solution that you thought would work.

The bird and duck dolls contain the most individual pieces of each of the dolls I’ve been creating lately. It’s strange, because it doesn’t seem like a lot of parts to me. They seem to come together quite quickly. The additional hats, dresses and collars feel like they take a lot more time to me. The dress for the little ducky doll Edwina was actually made twice. That was about four hours of work, and I only used one of them.

I took some photos while creating a blue bird. I wanted to try out a new method of attaching the heads to the dolls that wouldn’t require them to be sewn on. I wanted to try this out, because if I ever created a pattern to sell for these dolls, I wanted an easier method than the one I’m employing. That’s not to say that how I sew the dolls heads to their bodies is insanely hard. It’s just tricky. A novice doll maker might become frustrated with the method. I think this is the ‘art teacher’ part of me at work. I want everyone to feel successful when creating art.

I’m still being lazy and not creating a pattern piece for the wings or the tail. It’s just so much easier to cut them out free-hand for me. Each of the pieces that are pinned are two-layers of felt. I used a medium and a dark blue felt to make it more interesting to look at. The yellow pieces, in the shape of U’s are the feet. The kind of longish pieces that’s tapered at each end are the beak pieces. I use a single strand of regular sewing thread, and a blanket stitch, to hand sew all of the pieces together to create the feet, wings, tail and beak.

The picture above shows what all the cut pieces look like once they’ve all been sewn together. I think the only piece I didn’t show was the little pink tongue. It’s about two and half millimeters long and about a millimeter wide. I only cut it out when I have the beak sewn onto the head of the doll and it’s ready to be glued in. For the more easier method of attaching the head to the body, the arms and legs are sewn onto the torso first, then the head is attached. When I sew the head on, it’s sewn to the torso first, then I add the arms and legs. All of the sewing on the head is completed before it’s attached to anything. It’s so much easier to hid knots inside the head on the underside.

I think I’m okay with the new way of attaching the head, but I still think it needs some work. I don’t like how there’s a visible bump between the top of the torso where it meets the head. It really bugs me. The head is securely fastened. I think I’ll crochet a collar to hid this, otherwise it will drive me nuts!

I also made a little pig, because I found a few tiny scraps of some wool felt and I wanted to see how it would work for such a tiny doll.

The felt was harder to work with. It’s a 40/60 acrylic and wool blend. It was a little thicker than 1mm as well. Honestly, I hated this doll when I got to the point of putting the snout on. I was so close to just scrapping it completely. Then I added the ears and the doll started to look ‘right’ to me. Any future piggies will be made with a lighter weight felt, and have a shorter snout I think.

I tried out making a little strawberry head doll next. She went well. I used a 1mm felt for her body and head, but don’t like how her body came out. I may have just been working too fast though. The second attempt at the strawberry head I think was much improved.

I like the dark green for the body better. I also added some stitches for the ‘seeds’ that should be on a strawberry. I like using yellow for this, making the strawberry more ‘cartoony’, but it didn’t look right. I changed to a slightly darker red and it looks much better I think. The new method of attaching the head worked out well for this doll. I think due in large part to the fact that I added a green ruff to look like leaves around the neck.

And what goes with strawberry? Banana! (I love strawberry and banana flavours together!) I like how this little guy turned out. What really kills me is that I had to stop and create a pattern for this little banana, but I can free-hand cut more complicated wings and have them come out almost identical. I suppose it’s because I’ve made thousands of wings over my lifetime of being an artist, and this is the first time I’ve ever made a banana!

The size of these dolls, between 6 and 6.5 cm or so, makes it fairly easy for me to change things around once I feel like I’m getting a bit bored. I always feel like a bit of a lout when I say that, but it’s true. I like solving the problem, and once it’s solved, I want to go on to the next problem. These problems always start with, “I wonder if I could do that?” or “Would this work?” Perhaps it’s not true boredom, but impatience. Or perhaps a combination of the two? I’m not sure. I’m just thankful that I don’t ever seem to run low on ideas for artwork that I want to create. Time is something that I never seem to have enough of though.

That’s what I’m working on this week. What are you working on?

Bears!

(Left to Right) Mielikki Abella, Ursula Humla, and Kuma Bumbar

Hello! I have finished six tiny bears and have added them to the dolls that I have for sale! They are 30€ each, plus shipping (I ship world wide!). These bear dolls are aggressively cute, even if I do say so myself! Each doll is approximately 6.5 cm (approx. 2.5 inches) tall including the base (made from part of a bottle cork). The dolls can be removed from the base, and have posable arms and legs. They are not intended for children under the age of five. Please contact me via Facebook Messenger, Instagram direct message or email (Katiekinsman.fi@gmail.com) if you wish to purchase one of these tiny bears! First come, first serve!

(Left to Right) Farba Björn, Barva Oso, and Umbala Karhu

Bunnies!

My regular posts have become somewhat less regular over the last two weeks or so. With everything that is going on in the world right now, yesterdays Tuesday journal post simply slipped my mind. I hope to get myself back on my regular schedule of posts starting this week.

I’ve been in a bit of a spring-time mood lately. The weather has turned a bit warmer here; the snow and ice are melting too. Warm, sunny weather is right around the corner. II’ve even seen some hares venturing out into the open spaces, looking for something to eat maybe?

My artwork reflects what I’m thinking about, so I’ve created twelve little bunny dolls and decide to offer them for sale. These twelve bunnies are the only ones that I will make, so once they have been sold, I will not be creating more of them. You can look through each of them in the Art Gallery under ‘Tiny Bunny Dolls’.

(Left to Right) Rosamund, Lotta and Nellie

(Left to Right) Oliver, Elliot and Daniel

(Left to Right) Molly, Xena and Kitty

(Left to Right) Calvin, Declan and Trevor

Each of the Tiny Bunny Dolls are made of viscose felt, polyfil stuffing, thread, embroidery floss, cork and metal. They are 30€ each ($32 US) plus shipping. Please contact me for shipping times and rates from Finland to the rest of the world.

Sunday 15 March

I’m working on tiny bunnies today. I’ve made tiny crocheted collars for them. I’m using a 1 mm hook and wanted to show the approximate size of the finished product prior to attaching them to the bunnies.

Release the Dolls!

My previous Thursday Business Post dealt with the sales, or non-sales for the most part, of the Creative Experiment dolls. I’d decided to offer about a dozen for sale to see what kinds of responses I receive. Showing my work is always, always, always a white-knuckle-thrill-ride of insanely irrational emotions that are deeply entangled in my personal sense of self-worth not only as an artist, but as a human being. If you’ve followed me on Instagram, you know that I rarely if ever post photos of myself. I’m not comfortable taking selfies. I don’t like having my photo taken. It makes me cringe. I show my artwork. That’s the me that I want people to see and connect with. Weird. I know. Believe me, I know!

ANYWAY…

I decided that I needed to make an honest effort to sell some of the Creative Experiment dolls. There is no way that I will ever know if there are people who want to buy them unless I put a price on them and offer them for sale. I’ve chosen sixteen dolls to offer. I created a gallery with names, dimensions and descriptions of each of the dolls, as well as a FAQ about purchasing, shipping, etc. as well.

I know it doesn’t seem like much of an effort to create a gallery with some prices and put it on my website that frankly, at this point, does not have loads of traffic, but I have to start somewhere, right? I’m a one-horse business. I do everything myself, with occasional feedback and assistance with business and marketing from my husband and friends who work in entrepreneurial education. I don’t have a marketing budget. I need to take advantage of every no-cost and low-cost option available to me. Please don’t misunderstand me as whining, moaning and complaining about this. It’s simply how it is. I want to be honest with anyone who’s comes upon my website. And if you’ve read any posts of mine, you know, I’ll spill my guts at the blink of an eye!

I have no glorious expectations of fantastic sales and world-domination for these Creative Experiment dolls. It would be nice to see them go to people who really love them and appreciate the skill, knowledge and ability to create them. So, let’s see what happens, let’s roll the bones.

 

My Own Path

I recently read a blog post by an artist named Salley Mavor regarding how she feels about creating patterns and instructions for people other than her self to purchase and use. You can read the post ‘To Teach or Not to Teach’ here. It was interesting to read about how an artist, who works in the same realm as I do, hand sewing, embroidery, doll creation, thinks about their own original art creation and the creation of patterns and instructions of their original work for sale to others.

Before I go any further, I should note that I have owned a copy of her book Wee Felt Folk in the past. I think it’s a lovely book with clear, easy to follow patterns and instructions for creating incredibly sweet, tiny dolls. I made a few dolls from the book and while they were a lot of fun to make, I found myself more interested in creating my own original artwork and art dolls.

One of the many reasons that I found Mavor’s post so interesting is that I have been working on a project that would at least partially encompass patterns and instructions for doll creation that I may offer for sale. Some of the points that Mavor makes struck a chord within me and made me think that maybe I didn’t want to make and sell patterns and instructions for doll making. This made me feel as though perhaps I had wasted the time that I had already spent planning, writing and creating patterns for my project.

There were three points that Mavor asserts that she feels negatively affect her feelings towards creating patterns and instructions for sale.

Salley Mavor, in addition to being an artist, is also an accomplished illustrator. She creates intricate embroidered illustrations using a variety of different embroidery techniques as well as her own original compositions that are just brimming with amazing details. Her work is enchanting, sweet and elegant all at the same time. The longer you look at them, the more little surprises you find within them, which makes them all the more fabulous!

Mavor speaks about how there have been people wanting to know if she would ever create patterns for some of her illustrations. Which on the face of it sounds like a huge compliment, but is in fact more complicated than that. Mavor states that she feels creating patterns for some of her larger illustrations and pieces of art would stifle her own artistic creativity, because she would constantly be thinking about how to create instructions for other people, instead of being within the moment of creation, actually making the art.

What makes this complicated is that would people ever ask a painter or a sculptor for instructions on how to re-create their original artistic creation? Did anyone ask Picasso for instructions on how to re-create Guernica? Was Rodin asked for instructions about how to re-create The Kiss? This is a weird double standard that artists who work with textile and fiber arts, and something that within a consumer economy, where everything is for sale, customers think that they should be able to get that pattern and those instructions, because, you know, it’s just sewing and embroidery, right? It’s not like…you know, Art of anything. It’s just craft…right? (Okay, I’ll get off my soapbox of sarcasm now.)

Another point that Mavor makes is that she wants to keep some of her own creative secrets for herself. She has her methods of construction and creation that she has honed over decades of artistic practice. Why give that away? In addition, what she does and how she does it may not be something that can necessarily be ‘taught’ via a set of instructions and a few pattern pieces.

I know that I have ways of holding the pieces of felt that I’m sewing together that work for me. Doing it the way that I do it has simply evolved over my own decades of artistic practice. At this point, I don’t need to always create a pattern either. Sometimes I just sit down and start cutting. That’s efficacy and it’s earned by years of dedicated work within an artistic medium(s). That cannot be conveyed through a set of patterns and instructions, unless the purchaser is someone who already has a fair amount of knowledge, skill and ability under their own belt. So, I get that point. I like the idea of keeping some of my magic for myself as well.

Salley Mavor has published a book of patterns and instructions, Wee Felt Folk. She took one of the simpler elements (the dolls) within her own artwork and broke down the construction into easy to replicate steps, complete with patterns. She hoped that people who purchase the book would put their own creative spin on the dolls — alter them so that they are more an expression of the person who is utilizing the patterns and instructions, rather than just an attempt to copy exactly what Mavor creates herself as an artist. As stated previously, I’ve worked with her patterns. I chose to create my own dolls instead, because…I’m an artist too. I want to make my own create visions, not the visions of someone else.

Mavor speaks about being a bit of an outsider within the greater world of Art (with that capitol A). She’s expressed that she doesn’t even really fit with current trends within sewing and embroidery movements, which are much more modern than her personal style of needlework. There is also the resurgence of needleworkers who create patterns and kits for people who want to follow someone else’s creative vision, instead of creating their own unique pieces of work. And that’s fine, but it should be noted that when you create something using someone else’s pattern and instructions, without making any type of creative alterations yourself, you are creating a craft, not a piece of original artwork.

The weird space that I feel as though I tread is not considered Art and not considered craft, simply because I utilize tools, materials and techniques that are not considered by the wider world as a form of Art — with that capitol A — and is somehow less than a painting or sculpture. I’m not bemoaning this; it just seems to be the way that people other than those who work within the same creative realm think when they look at my work.

I can see my own thoughts regarding my artwork reflected in what Mavor writes. There are two big differences between the two of us though. 1) I’m a very, very, very small art creator by comparison and 2) I’m an art teacher.

I truly enjoy teaching people how to create artwork, especially their own artwork. This may mean that they begin their work by utilizing a pattern or technique that I have demonstrated or supplied, but their end product should be, will be, their own. Mavor stated that teaching people how to create using her techniques is not something that she is interested in. And she totally has the right to say that. She doesn’t owe anyone anything, period.

As an art teacher, I have learned how to give the student enough information to get them started, to allow them to get comfortable with the entire creative process, so that when it comes to the point within the creative process in which the student needs to take that leap and put themselves into their artwork, they are brave enough to be unique and add themselves into their artwork. Teaching art is not something everyone can do or wants to do. I love being there when the art begins to happen. When the confidence is built. When the students tries out an idea, and another idea and another idea. I love the planning, creation and implementation of art lessons. I think the biggest part of why I love it so much, is that I want to share with my students this amazing thing that makes me so incredibly happy and I want them to be able to experience it as well.

So, I am going to continue working on my plans for patterns and instructions…and the other things I want to go along with it as well.

Thanks for reading, and I’ll see you again next Tuesday.

I’m Teaching an Art Workshop!

I have begun working locally, teaching art workshops. I’ve thoroughly enjoyed creating art with the wonderful people who have attended one of my workshops! I have an up-coming workshop at Jyvälän Settlementti, teaching a one-day workshop in which the participants will create their own, unique worry dolls, inspired by the Mayan people of Guatemala.

If you live in the Jyväskylä and are interested, contact Jyvälän Settlementti at +041.217.202, or you can visit their website, at www.jyvala.fi. They have a lot of interesting courses to choose from!

Tiny Dolls for Sale!

The interest people have shown in purchasing one (or more!) of the tiny dolls I have been making recently has been a amazing! The interest has grown so much that I needed to create FAQ.  Now, matters regarding sizes, materials, shipping and pricing are easy to access for anyone who wishes to purchase my work.

I’d like to thank all of the people who have shown interest in purchasing my work! To see what Little Ladies I have available for purchase, you can find photos of them here on my website, on my Artwork page!

Mountains Come Out of the Sky and Stand There

I did not intend to take a break from blogging over the Christmas and New Years holidays. It just kind of happened. BOOM. The mountain comes out of nowhere. As Simon Miller says, “stuff just happens”. I’ll not beat myself up about it, and just move forward with blog posts.

Part of the reason I was away from the blog was due to some unexpected artwork sales. That was a super-nice Christmas present. It caught me totally off guard. I’m not very good at ‘businessing the business’. I tend to simply make the artwork that I want to make, and if it sells, that’s super, if it doesn’t, it goes with the rest of my artwork in storage.

I’m looking at seeing what I may be able to do with these new pieces of artwork, because I would like to make more of a monetary contribution to the household expenses. I have a few ideas that I’m working on, and hopefully something will pan out that makes everyone happy.

Here are a few pictures of the dolls I’ve been working on:

(Some of the stands are not complete in these pictures. All dolls sold come with an embroidered and embellished stand. If you are interested in purchasing any of my dolls please DM me through Instagram: Katie_Kinsman_in_Finland or email me at: Katiekinsman.fi@gmail.com)

Tiny Dolls Available for Purchase!

These little, handmade Little Ladies (5 and 7 cm) are ready to do some traveling! Each doll is one-of-a-kind, made using a pattern that I designed myself. Each Little Lady comes with her own stand (pictured) and will be shipped in a padded envelope from Finland. Each Little Lady is 40 €, including shipping. If you have any questions, or are interested in purchasing one of my sweet Little Ladies, you can contact me through my email in the contact section of this website!